Friday, 28 April 2017
Props and costume
Props and costume
The gun would be used in the ending sequence of the film opening by being held by a character shown through a low angle camera shot.
A sheet of paper with notes on it will be used by the same person holding the gun through a point of view camera shot.
The pillow and feathers will be thrown up into the air as if a pillow has been shot by a gun. This will happen at the end of this film opening.
The costumes used by the characters would include full suits and an identity covering outfit.
Loius, Bobby and their father/boss would wear suits in black and blue colours.
These outfits would be used when Louis, Bobby and the boss are in a conversation towards the beginning sequences of the tim opening.
A similar outfit to this would be used by the character that also held the prop gun. This would be shown towards the ending sequences of the film opening with a low angle camera shot
These outfits would be used when Louis, Bobby and the boss are in a conversation towards the beginning sequences of the tim opening.
A similar outfit to this would be used by the character that also held the prop gun. This would be shown towards the ending sequences of the film opening with a low angle camera shot
Labels:
Props & Costume
Target Audience Justification
Target Audience Justification

Force-Full Television are looking to produce a Thriller/Suspense/Drama. As you can see from the sample, Drama and Thriller/Suspense are 2 popular genres of film and so the audience we have to cover will be vast. One of the films I initially researched was Watchmen. At the beginning got the film there is a murder of a main character, The Comedian, but the killers identity is kept very much a secret until the end of the film, we have taken an element of this and placed it into our film. To incorporate these elements we're trying to incorporate elements of Barthes' action and semantic code, to build the suspense and keep the audience interested.
From this table we can see the increasing/decreasing interest of certain audiences within regards to specific genres. In context to the film we are going to produce, the increases in interest in the thriller genre, have come from the LGBT, Black African/Caribbean, Asian and Older women audiences. This will influence our casting as we will look to include different representations of race and gender as to not deter any potential audience. We are also going to try and break the stereotypical boundaries, to make our film more dynamic. For this reason I believe that the film could be distributed across many markets as interest in the genre is growing around the world. However, this film being a first for our production company, having no real experience would put off any big distributor and so the film may not get much coverage.

From this table it is evident that men and women who are aged 35 plus, skilled workers, unemployed or are students prefer thriller movies. This will inevitabley lead us to touch upon Gerbner's cultivation theory as our main character is a young male who's been brought up around death and fraud. This will enforce the stereotype that all young people are involved in crime, which is relatable for the audience. However, as the story unfolds we will be challenging ( subverting the stereotype), as Louis questions his superiors. The film is heavily targeted at the struggler, in Young and Rubicam theory, as it ca be used as a form of escape for them and also the aspire as we are challenging the social norms in an effort to change the way gender and race are portrayed in film.
Call Sheet
Call Sheet
Shooting Day No. 1 Call Time: 22/03/2017 Day/Date: Wednesday 29th March
2017, 1:30PM – 4PM
Producer: ForceFull TV Director:
Oliver Robinson Prepared:
22/03/2017
Scene
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Location
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Cast
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Pages
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2
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Harlow College
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Emma Weeks
|
|
1
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Harlow College
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Dylan Koolman
|
|
1
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Harlow College
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Jack Long
|
|
1
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Harlow College
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Morgan Redman
|
|
1&2
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Harlow College
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Oliver Robinson
|
Cast
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Character
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Actor
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Makeup
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Set
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Remarks
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Emma Weeks
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Detectives Wife
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Emma Weeks
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N
|
||
Dylan Koolman
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Crime Lord
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Dylan Koolman
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Wrinkles
|
||
Jack Long
|
Bobby
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Jack Long
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N
|
||
Morgan Redman
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Karen
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Morgan Redman
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Eyeliner, Eye shadow
|
||
Oliver Robinson
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Louis
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Oliver Robinson
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N
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Bits & Extras
|
|||||
Feathers
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|||||
Doll
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|||||
Gun
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|||||
Blanket
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|||||
Pillow
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Special Instructions – Equipment – Remarks:
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Canon camera
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HN1
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HD Tripod
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HD Cameras 14 and 15
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Advanced Schedule:
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Dylan, Morgan Jack and Oliver from 9:15 until 13:00
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Emma and Oliver from 1:30 until 2:00
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Cover Set:
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Pull curtains across in the studio and set up tables for the bed in
the middle.
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Move folders and filing cabinets out of the room and place table in
the middle of the room.
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Directions to Location
On College Campus
Bus Routes: Number 2 from Staple Tye to Harlow Town Centre
Rail / Underground: N/A
On Foot: N/A
Labels:
Call sheet,
main task
Brief Synopsis
Brief Synopsis
Brief Synopsis
Young goon Louis is heir to the Crime Kingdom, he is invited unexpectedly to the Crimelords mansion in good faith. when he arrives the boss is busy dealing with his wife and she storms out of the room.
The boss at this point already frustrated with his wife, gives Louis a job which he unwillingly accepts. To kill the child of the detective who is shutting down his operation.
The boss then instructs his right hand man to keep an eye on Louis as he is the heir to him and
to make sure he carries out this task to show he has the metal to be a kingpin. it cuts to a dark hospital room with Louis pointing a gun at the sleeping mother and her child. Your hear the gun the silenced gun shot and a spar of feathers as he has shot the pillow instead of the child.
Shot list
Camera Shot List
Programme: The Morals of Bad Men Director: Oliver Robinson
Date:15/02/17 Camera Person:
Kundai Muteweri, Oliver Robinson
Location: Harlow College
|
S.B. Shot #
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Angle
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Movement
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Notes
|
|
1
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Extreme close up
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Tracking across to the left
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Only show the shoes
|
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2
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Over the shoulder shot
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Tracking forward
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N
|
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3
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Over the shoulder
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Zoom in
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Keep the zoom at a slow and steady pace
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4
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Two shot, high angle
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Pan to the left
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When Morgan stands up tilt the camera up slightly
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5
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Mid shot
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N
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End shot when Morgan leaves the frame
|
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6
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Mid shot
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N
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End shot after line ‘you called me boss.’
|
|
7
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Two shot, Mid shot
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N
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Shot ends when Oliver gets to the table
|
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8
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POV
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N
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From Dylan’s perspective
|
|
9
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Over the shoulder
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N
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Facing Dylan
|
|
10
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Over the shoulder
|
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Facing Oliver
|
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11
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POV
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N
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From Oliver’s perspective
|
|
12
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Wide shot
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N
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End shot when Jack returns to a neutral position
|
|
13
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POV
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N
|
From Oliver’s perspective
|
|
14
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Over the shoulder
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N
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Facing Dylan
|
|
15
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POV
|
N
|
From Dylan's perspective
|
|
16
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POV
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N
|
From Oliver's perspective
|
|
17
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High angle
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N
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Over Oliver
|
|
18
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Eyeline match
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N
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Looking at the photo
|
|
19
|
POV
|
N
|
From Oliver's perspective
|
|
20
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POV
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N
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From Dylan's perspective
|
|
21
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Over the shoulder
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N
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Facing Dylan
|
|
22
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Tracking shot
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Pan round to the left
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Follow Oliver and Dylan round until they reach the
door
|
|
23
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Low angle shot
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N
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Looking at Louis
|
|
24
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Low angle
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N
|
N
|
|
25
|
ECU
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N
|
N
|
|
26
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Low angle
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N
|
N
|
|
27
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High angle
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N
|
N
|
|
28
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POV
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Forward towards where Emma is lying down
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Oliver will hold the camera for this shot
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29
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Low angle
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Pull focus from Oliver's face to the gun
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N
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30
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Wide shot
|
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Wait for all the fathers to fall before ending shot
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